Winfield Maben is a Philadelphia based writer and dancer and an aspiring member of the greater Philadelphia area dance community. He graduated from Muhlenberg College in 2018 with a BA in Dance & English and has previously conducted several features for the Lehigh Valley Dance Exchange. He has worked with several established choreographers including Tiffany Mills, Sharon Vazanna, and Trinette Singleton and has performed in a variety of unique locations including Triskelion Arts (Brooklyn, NY), ArtisTree (Pomfret, VT), and the Brooklyn Bridge. Winfield aims to explore the art of dance through the multidisciplinary approach that was emphasized in his education, not only examining the physicality of a given work but also the intentionality and cultural impact of the work as a whole.
by Winfield Maben for the Dance Journal The Quiet Room is a short but intensely personal piece which takes its audience on a guided examination
by Winfield Maben On September 7th, Tree.Lock Productions brought Splitscreen to the Pig Iron Theatre Company. The work, which is a collaboration between Sterling Melcher
by Winfield Maben On Thursday, September 6th, Bryan Sanders’ JUNK premiered Skein of Heart for the 2019 Fringe Festival. Part maze and part immersive performance,
by Winfield Maben | photo credit Nickerson-Rossi Dance On Saturday, August 17, 2019 at the Performance Garage, Nickerson-Rossi Dance presented Direct/Link, a program which highlighted
by Winfield Maben for The Dance Journal On a Saturday night in Philadelphia, Ujima Dance Theatre brought The Dancer’s Artist Showcase, a series of seven
by Winfield Maben for The Dance Journal | photo credit Adrianna Imhof Urban Movement Arts debuted two works in progress as a part of their summer Artist
by Winfield Maben for The Dance Journal | photo credit Mike Hurwitz This past weekend Koresh presented the June entry in its quarterly Artist Showcase
by Winfield Maben for The Dance Journal Dawn Pratson brought If We Listened to Birds Sometimes, an evening of dance and music performances, to Mascher
by Winfield Maben for The Dance Journal As the lights fade in at Mascher Space, what appears to be six large inflated plastic bags connected
