
Why Advanced Ticket Sales to Dance May Not Be So Advanced
by Steven Weisz for The Dance Journal One of the current issues in the entertainment industry is that people rarely buy tickets in advance. According
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While not a dancer himself, Weisz’s love for the arts and dance started as a child growing up in New York City. With parents, who were strong supporters of the arts and part of a community with an incredible array of notable artists in music, dance, theater, and fine arts, Weisz’s access and affinity for the performing arts took root. Upon attending college in Philadelphia at the University of Pennsylvania in the mid-’70s, Weisz started performing as a puppeteer, magician, juggler, and fire eater as a means of supplementing his income. This soon grew into what became Rainbow Promotions Inc., one of the largest entertainment and special events producers in the region. It was here that he began to promote and book dance for major events throughout the city. Many of the dancers he worked within the early days of his company are now major choreographers in Philadelphia. At the same time, Weisz’s interest in computers and the early developments of what is now known as the Internet led him to also start another company, Delaware Valley On Line, which became one of the first regional ISPs. It was this combination of event production, internet development, and event marketing that led him to examine the use of the internet as a means to promote the arts. Dance continued to be a major interest for Weisz and in 2005 he founded PhiladelphiaDANCE.org as a major online resource to promote dance in the city. It was soon after that the Dance Journal was also founded as a way to provide an outlet for writing on a range of topics that encompass the ever-growing and emerging dance community in the region. Weisz continues to run both PhiladelphiaDANCE and The Dance Journal on purely a voluntary basis with no income derived from any of his projects. He is also the Artistic Director of Graffito Works, an international platform for dancers and performing artists to create site-specific work and to make it readily accessible to the public.
by Steven Weisz for The Dance Journal One of the current issues in the entertainment industry is that people rarely buy tickets in advance. According
by Steven Weisz for The Dance Journal In the operations of PhiladelphiaDANCE.org, I have, as a matter of policy, donated various amounts of money to
by Steven Weisz for The Dance Journal Merilyn Jackson has been writing regularly on dance for The Philadelphia Inquirer since 1996 and prior to that
by Steven Weisz for The Dance Journal 4th Annual SoLow Festival takes over Philadelphia from June 20th through June 30th. The festival is dedicated to
by Steven Weisz for The Dance Journal Arts funding is constantly under fire, the National Endowment for The Arts is constantly facing cut backs and
by Steven Weisz for The Dance Journal During the months of October and November 2012, I decided to embark on an informal experiment exploring new
Dancer, Alexis Convento – photo credit Bill Hebert By Julia Reynolds for The Dance Journal I am a dancer, blogger and recent transplant from LA
by Steven Weisz for The Dance Journal More and more dance projects and performances in the Philadelphia region are being funded through Kickstarter. The concept