
Baryshnikov/Brodsky – An Endearing Tribute
by Steven Weisz for the Dance Journal | Photo Credit: ©Stephanie Berger It was the mid to late seventies in New York City when I
Founder & Editor
While not a dancer himself, Weisz’s love for the arts and dance started as a child growing up in New York City. With parents, who were strong supporters of the arts and part of a community with an incredible array of notable artists in music, dance, theater, and fine arts, Weisz’s access and affinity for the performing arts took root. Upon attending college in Philadelphia at the University of Pennsylvania in the mid-’70s, Weisz started performing as a puppeteer, magician, juggler, and fire eater as a means of supplementing his income. This soon grew into what became Rainbow Promotions Inc., one of the largest entertainment and special events producers in the region. It was here that he began to promote and book dance for major events throughout the city. Many of the dancers he worked within the early days of his company are now major choreographers in Philadelphia. At the same time, Weisz’s interest in computers and the early developments of what is now known as the Internet led him to also start another company, Delaware Valley On Line, which became one of the first regional ISPs. It was this combination of event production, internet development, and event marketing that led him to examine the use of the internet as a means to promote the arts. Dance continued to be a major interest for Weisz and in 2005 he founded PhiladelphiaDANCE.org as a major online resource to promote dance in the city. It was soon after that the Dance Journal was also founded as a way to provide an outlet for writing on a range of topics that encompass the ever-growing and emerging dance community in the region. Weisz continues to run both PhiladelphiaDANCE and The Dance Journal on purely a voluntary basis with no income derived from any of his projects. He is also the Artistic Director of Graffito Works, an international platform for dancers and performing artists to create site-specific work and to make it readily accessible to the public.
by Steven Weisz for the Dance Journal | Photo Credit: ©Stephanie Berger It was the mid to late seventies in New York City when I
We are giving away 1 Free Individual Membership a Day for 12 days [contesthopper contest=”375002″] WINNERS 1. Michelle Wurtz 2. Julee Mahon 3. Ellen
by Steven Weisz for The Dance Journal With its unforgettable music, enchanting story and the vivid imagery, “The Nutcracker” has become synonymous with the holiday
by Steven Weisz for The Dance Journal Each dance season, I open my inbox for the usual onslaught of solicitous emails announcing forthcoming shows and
by Steven Weisz for The Dance Journal | photo STORM- Asya Zlatina and Dancers FringeArts 2017 September 7 – 24, 2017 The Fringe Festival, presented by
by Steven Weisz for The Dance Journal Ironically, as I draft this article, I have learned that a national dance organization has granted over 1.1
by Steven Weisz for The Dance Journal | photo credit Karli Cadel In the age of Trumpism, where nuclear stockpiles take precedence over arts funding,
by Steven Weisz for The Dance Journal On Sunday, January 29, 2017, The Israeli Film Festival of Philadelphia presented an exclusive screening of Mr. Gaga,
photo credit: dancer Tony Rhodes by Tom Weir by Steven Weisz for The Dance Journal On May 13th, I had the privilege of attending the