
Merilyn Jackson’s FringeArts Picks
By Merilyn Jackson For The Dance Journal The FringeArts curated dance seems to be going for quality over quantity with some big ticket choreographers this
Merilyn is a guest contributor to the Dance Journal. She writes regularly on dance for The Philadelphia Inquirer since 1996 and writes on dance, theater, food, travel and Eastern European and Latin American fiction for many publications. More than 800 of her articles have appeared in publications as diverse as The New York Times, The Warsaw Voice, The Arizona Republic, The Phoenix New Times, MIT’s Technology Review, and Arizona Highways, Dance, Pointe and Dance Teacher magazines, Broad Street Review and www.exploredance.com.
She was awarded an NEA Critics Fellowship in 2005 and a Pennsylvania Council on the Arts Fellowship in 1999 for her novel-in-progress, O Solitary Host. A chapter of that novel, “A Sow of Violence,” appeared in the Massachusetts Review in the Fall 2004 “Food Matters” issue. In 2012 she attended poetry workshops at Colgate University and Sarah Lawrence College, working with poets Peter Balakian and Tom Lux, respectively. Several of her poems appear in Exquisite Corpse, The Rusty Nail and Broad Street Review. She likes to say that dance was her first love, but when she discovered writing she began to cheat on dance. Now that she writes about dance, she’s made an honest woman of herself, although, she also writes poetry. Much of her writing can be read on her personal blog Prime Glib.
By Merilyn Jackson For The Dance Journal The FringeArts curated dance seems to be going for quality over quantity with some big ticket choreographers this
by Merilyn Jackson for The Dance Journal Many years ago, on a plane, I was talking to the men in my row when they asked
by Merilyn Jackson for The Dance Journal The Art of Falling, A novel by Kathryn Craft, Pub Date, January, 2014 Sourcebooks, Inc., 353 pp, $14.99
by Steven Weisz for The Dance Journal Merilyn Jackson has been writing regularly on dance for The Philadelphia Inquirer since 1996 and prior to that
By Merilyn Jackson for The Dance Journal If you’ve ever been to a MiRo Mash-Up, you know that the deal is a weeklong workshop between
By Merilyn Jackson FOR THE INQUIRER “Ties that Bind,” seen at the Painted Bride over the weekend, exemplified, through the choreography of three Philadelphia dance
By Merilyn Jackson FOR THE INQUIRER What a wonderful thing when a city’s audience base sustains an arts organization for two decades or more. Koresh
By Merilyn Jackson for The Inquirer BalletX opened its fifth season at the Wilma Theater on Wednesday with a triple bill sparkling with surprising and
By Merilyn Jackson For The Inquirer Philadelphia’s dancers have built a community that’s the envy of other cities around the country. A Washington City Paper