A Day in a Dance Life – Rennie Harris Puremovement returns to the Annenberg stage
by Lewis J Whittington for The Dance Journal Rennie Harris, Philadelphia’s premiere hip-hop dancemaker, has spent the last year on the West Coast, sitting out
Lewis Whittington is an arts journalist based in Philadelphia. He started writing professionally in the early 90s as a media consultant for an AIDS organizations and then as a theater and dance reviewer for the Philadelphia Gay News. Mr. Whittington has covered dance, theater, opera and classical music for the Philadelphia Inquirer and City Paper.
Mr. Whittington’s arts profiles, features, and stories have appeared in The Advocate, Dance International, Playbill, American Theatre, American Record Guide, The Harvard Gay and Lesbian Review Worldwide, EdgeMedia, and Philadelphia Dance Journal. Mr. Whittington has received two NEA awards for journalistic excellence.
In addition to interviews with choreographers, dancers, and artistic directors from every discipline, he has interviewed such music luminaries from Ned Rorem to Eartha Kitt. He has written extensively on gay culture and politics and is most proud of his interviews with such gay rights pioneers as Frank Kameny and Barbara Gittings.
Mr. Whittington has participated on the poetry series Voice in Philadelphia and has written two (unpublished) books of poetry. He is currently finishing Beloved Infidels, a play about the murder of filmmaker Theo van Gogh. His editorials on GLBTQ activism, marriage equality, gay culture and social issues have appeared in Philadelphia Inquirer, City Paper, and The Advocate.
by Lewis J Whittington for The Dance Journal Rennie Harris, Philadelphia’s premiere hip-hop dancemaker, has spent the last year on the West Coast, sitting out
by Lewis J Whittington for The Dance Journal with collaborative editing by Steven Weisz “Walk on the beach of the morning without desireOpen my mouth
by Lewis J Whittington for The Dance Journal In April 2019, conductor Yannick Nézet-Séguin led the Philadelphia Orchestra musicians in Serge Prokofiev’s searing ballet score
by Lewis J Whittington for The Dance Journal Dancer-choreographer Iquail Shaheed formed his company Dance Iquail! fourteen years ago with a mission to create dance
by Lewis J Whittington for The Dance Journal Dance films have become the mainstay of dance companies trying to survive an industry in limbo while
by Lewis J Whittington for The Dance Journal The Nutcracker continues to be the most performed ballet globally, spanning cultures and eras, performed in small-town
In this year of theater and venue shut down, the home screen has become the primary stage for dance performances. For better or worse, dance
by Lewis J Whittington for The Dance Journal Pennsylvania Ballet Artistic Director Ángel Corella launched his Director’s Choice Digital season online, with broadcast films of
by Lewis J Whittington for The Dance Journal Philadanco dancers Janine Beckles and Joe González returned to the stage via Livestream broadcast from the Annenberg