by Jane Fries for The Dance Journal Can a conversation be a dance?  I don’t know the answer to that, but it’s one of the

by Jane Fries for The Dance Journal The Christ Church Burial Ground in Philadelphia’s Old City was the setting for Shayla-Vie Jenkins’ meditative, site-specific work,

by Jane Fries for The Dance Journal The pandemic has forced dance companies to adapt to new performance realities. Some have made dance films shot

by Jane Fries for The Dance Journal | photo credit: Tara Keating On Wednesday evening, almost one year to the day since the W.H.O. declared

by Jane Fries for The Dance Journal “It was the most liberating thing to dance in a mud pit,” said dancer Blake Krapels, describing his

by Jane Fries for The Dance Journal BalletX, persevering through the pandemic restrictions that have closed stages across the world, released three captivating dance films

by Jane Fries for The Dance Journal A long time ago, in a galaxy far, far away, dancers performed on stages in front of live

by Jane Fries for The Dance Journal “We need to keep creating,” urged Christine Cox, Director of BalletX, in a Zoom panel discussion interspersed with

by Jane Fries for The Dance Journal The Performance Garage, a Philadelphia hub for dance performances, rehearsals, and classes, is marking its 20th anniversary this