Dancing Towards Freedom – Secundaria
December 17, 2016
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by Gary L. Day for The Dance Journal Performing arts tend to have a hard time in totalitarian countries. Repressive regimes seldom give the arts
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Gary L. Day is a produced playwright, director/producer and critic who has been covering the arts in Philadelphia since the Clinton administration. In addition to The Dance Journal, he also writes for the Broad Street Review and the Philadelphia Gay News. He has worked as an editor, an illustrator and a bar manager. He is also an expert on all things Star Trek and Captain America.
by Gary L. Day for The Dance Journal Performing arts tend to have a hard time in totalitarian countries. Repressive regimes seldom give the arts
by Gary L. Day for The Dance Journal From some people’s perspectives, my own included, the Christmas season is something of a dance wasteland. It
by Gary L. Day for The Dance Journal There is a strange, uncomfortable mix of intimacy and isolation at play when a group of people
photo by Bill Hebert by Gary L. Day for The Dance Journal BalletX filters the past through its creative perspective in its season opening performance,
photo credit: Frank Bicking by Gary Day for The Dance Journal A lot of people may not be aware of just how extensive Philadelphia’s talent
photo credit Lindsay Browning By Gary L. Day for The Dance Journal It’s not often one has a chance to go to a performance art
photo credit: Frank Bicking By Gary L. Day for The Dance Journal The process of creating art is a mystery to most people, on a
photo credit: Suncan Stone By Gary L. Day for The Dance Journal Improvisation is an enticing, yet dangerous, approach to performing. It forces the artist
photo credit Frank Bicking by Gary L. Day for The Dance Journal The Koresh Dance Company is pretty much at the top of the heap
