by Olivia Wood for The Dance Journal This past Sunday, April 28, 2019, marked the close of Koresh Dance Company’s world premiere of artistic director Ronen Koresh’s most recent artistic triumph, La Danse. Not a […]
by Olivia Wood for The Dance Journal On Saturday, April 4, Elba Hevia y Vaca, artistic director and founder of Pasión y Arte, presented for the exhibition of Marcando el terreno (“marking the terrain”), her […]
by Olivia Wood for The Dance Journal | Photo by Johanna Austin The last thing I expected during The Lightning Rod Special’s performance of The Appointment at Fringe Arts on Thursday, March 21, 2019, was […]
by Olivia Wood for The Dance Journal After rehearsing and performing intensively for two months, I felt the need to respond to what struck me as an exceptionally harsh and unfair review of Unhinged, a […]
by Olivia Wood for The Dance Journal On Friday, June 28th, Jenna Silva and Company presented EXERTION, an evening in the life of a dance artist at Mascher Space Co-op in Philadelphia. Silva and her […]
by Olivia Wood for The Dance Journal | photo credit Lindsay Browning On Friday, May 18, Katherine Kiefer Stark, artistic director of The Naked Stark presented a new, full-length work, Visible Structures, at the Mascher […]
by Olivia Wood for The Dance Journal On Saturday night, April 28th, Darcy Lyons, artistic director of Lyons and Tigers, produced Pendulum, a show which can best be described as an eclectic evening of postmodern […]
by Olivia Wood for The Dance Journal On Sunday, March 18, 2018, at Knauer Performing Arts Center, I had the pleasure of viewing Azul, a contemporary play written by Tanaquil Márquez for La Fábrica, a […]
by Olivia Wood for The Dance Journal On Saturday evening, January 29, Paige Phillips presented a forty-five-minute choreographic work performed by a trio of powerful movers: Celine McBride, Margot Electra Steinberg, and Mary-Carmen Webb. The […]
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