The Muhlenberg College dance program will showcase two iconic re-stagings and one original piece from three world-renowned choreographers, as well as four world-premiere works by accomplished returning contributors, in its annual “Master Choreographers” concert, Feb. 9-11.
This year’s “Master Choreographers” features restagings of “Radical Severance,” choreographed by Cristina Perera, and “When We Fly,” choreographed by Orion Duckstein. The concert also features an original balletic piece, “Without Words,” by Trinette Singleton, as well as new works by four Muhlenberg dance faculty: Heidi Cruz-Austin, alumna of the Pennsylvania Ballet; Shelley Oliver, director of Shelley Oliver Tap Dancers; Randall Anthony Smith, répétiteur and assistant to choreographer Donald McKayle; and Jeffrey Peterson, former dancer with Danny Buraczeski’s Jazz dance.
“This concert presents a spectacular evening of dance,” says Karen Dearborn, founding director of Muhlenberg’s dance program, and the concert’s artistic director. “We are thrilled to showcase new work from Trinette Singleton and guest works by Cristina and Orion, as well as our fabulous faculty choreographers.”
Perera’s piece is funded by a Mellon Choreographers on Campus grant. The Andrew W. Mellon Foundation brings established and emerging choreographers to the classrooms, studios, and stages of area colleges. The collaborative program explores the use of dance as an art form and how its creative powers can be infused across a liberal arts curriculum.
Perera has performed as a soloist and principal dancer around the world, with some of the most notable figures in the performing arts. A veteran of the Alvin Ailey Dance School, she has choreographed ballets, concert dance pieces, dance theatre, musicals, film and music videos in Europe, Asia, and North and South America. In 2008 Perera became artistic director of Cirque du Soleil’s “Alegria.” Perera received the 2010 Aesthetics Interaction prize from the Brazilian National Arts Foundation FUNARTE for one of her production “Constructions.”
“You’re going to see the kind of movement and dancing that you do not often see,” says the Lansing State Journal, “What Cristina does is very unique. She has a strong choreographic style.”
Duckstein’s “When We Fly” was originally choreographed in 2006 for Adelphia University, where he is currently a member of the dance faculty. Duckstein danced for the Paul Taylor Company for 11 years, and before that with Taylor 2, the outreach and performance arm of the company. During his tenure he danced pivotal roles in nearly every major Taylor work and served as Taylor’s choreographic assistant for several major works. Duckstein has set his own works in New York and throughout the country.
Trinette Singleton was a principal dancer with the Joffrey Ballet for nearly 20 years. She was thrust into national prominence in 1967, appearing in Robert Joffrey’s multi-media ballet “Astarte.” She was also the first dancer to appear on the cover of the national news magazine “Time.” Currently, Trinette is co-artistic director of Repertory Dance Theatre in Allentown, and she serves on the dance faculty at Muhlenberg and at DeSales University, Center Valley.
The annual “Master Choreographers” concert features premiere dance performances in a diverse selection of styles and genres, ranging from classical ballet to contemporary jazz, pointe, modern dance, and tap accompanied by live jazz music.
Performances of “Master Choreographers” will take place Thursday, Feb. 9, at 8 p.m.; Friday, Feb. 10, at 8 p.m.; and Saturday, Feb. 11, at 2 and 8 p.m. Tickets are $15 for adults and $8 for patrons 17 and under. Performances are in the Empie Theatre, in the Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at 484-664-3333 or muhlenberg.edu/dance.
Heidi Cruz-Austin began her dance training at the age of four at the Dolly Haltzman Dance Academy in Allentown. She went on to study at the School of American Ballet and the Pennsylvania Ballet. Cruz-Austin received an apprenticeship with the Pennsylvania Ballet in 1994 and joined the company as a member of the Corps de Ballet in 1995. She danced numerous featured roles in her tenure there including leads for various choreographers such as George Balanchine, Val Caniparoli, Ben Stevenson, Alvin Ailey, Margo Sappington, Christopher d’Amboise and Matthew Neenan. In addition to dancing with Pennsylvania Ballet, Ms. Cruz-Austin danced with the Philadelphia-based company Ballet X and has performed as a guest artist throughout the United States and Europe. Cruz-Austin currently teaches for the Earl Mosley Institute of the Arts, Muhlenberg College, The University of the Arts, and Temple University. Heidi received a 2008 Fellowship from the New Jersey State Council on the Arts for her choreography and is currently the co-artistic director and resident choreographer of DanceSpora dance company.
Orion Duckstein danced with the Paul Taylor Dance Company for 11 years, and before that with Taylor 2, the outreach and performance arm of the company. During his tenure he danced pivotal roles in nearly every major Taylor work, such as “Company B,” “Esplanade,” “Cloven Kingdom,” and Taylor’s own role in “Aureole.” Near the end of his performing career with the Taylor Company, Mr. Taylor chose Duckstein as his choreographic assistant for several dances. Before dancing for Taylor, Duckstein danced for noted choreographers Sung Soo Ahn, Peter Pucci, Robert Wood, and Margie Gillis. He still performs professionally, most recently joining Take Dance NY with choreographer Takehiro Ueyama for their 2015 New York season and summer tour. Duckstein has set his own choreography on New York-based companies Mazzini Dance Collective and Patricia Kenny Dance Collection and shown his work in many venues in New York and beyond, including the Downtown Dance Festival and the Jacob’s Pillow International Dance Festival. Duckstein has been artist-in-residence at colleges in Texas, California, and New England.
Shelley Oliver is a Canadian-born tap dancer, choreographer and educator. She has appeared internationally with some of the legends of the tap world, including Savion Glover, Gregory Hines, Buster Brown, Jimmy Slide, and Chuck Green. She is a founding member of Manhattan Tap and served as a co-artistic director and choreographer with the company touring concert halls and festivals in Europe, China, the Caribbean, Canada, and the United States. Oliver was the artistic director of the Shelley Oliver Tap Dancers for 15 years, touring with the David Leonhardt Jazz Group throughout the northeast. Her television appearances include “Tap Dance in America” with Gregory Hines and “Star Search.” A dedicated teacher and educator, Oliver has conducted lecture demonstrations for Lincoln Center, New York City Public Schools and various universities throughout the United States. On faculty at Muhlenberg College, she directs the Muhlenberg Jazz Tap Ensemble, providing community outreach in the Allentown area. Oliver has produced a series of Tap Music for Tap Dancers CDs that have become a standard pedagogical tool in the tap dance world. More recently as a soloist she toured as guest artist with the River City Brass Band in Pittsburgh and with Le Sextet Clic-Clac-Cloc in Geneva, Switzerland. She is the recipient of the 2009 Outstanding Dance Educator Award from the Lehigh Valley Dance Consortium.
Cristina Perera had her dance education in classical ballet at the Municipal Theatre of Rio de Janeiro Brazil and Salle Pleyel in Paris, France. Her modern and contemporary education started in London at the London Contemporary Dance Theatre School and continued in New York at Alvin Ailey Dance School with a full merit scholarship. Perera has performed as a soloist and principal dancer around the world with various companies, as she has worked with some of the most notable figures in the performing arts, including Frederick Ashton, Flemming Flindt, Ulysses Dove, Judith Jamison, Mark Morris, Peter Sellars, Robert Wilson, John Adams, Philip Glass, George Tabori, Marcia Haydee and many others. She has choreographed ballets, concert dance pieces, dance theatre, musicals, film and music videos in many European countries, in Asia, North America and South America. Perera was one of eight choreographers chosen by Ballet Builders in New York to present original works, debuting her piece “Under Time.” In 2008 she became the artistic director of Cirque du Soleil’s “Alegria.” In 2010, Perera received the Asthetics Interaction prize from the Brazilian National Foundation for the Arts, FUNARTE, for one of her productions in Brazil. As a teacher she has taught in the School of Performing Arts Vienna, Austria; dance Festivals such as ImPuls Tanz (Vienna) and Tanz Bozen/Bolzano Danza (Italy); Dance Theatre Bralen (Bratislava, Slovakia); SUNY Purchase; and many other schools in Europe and the United States alike. Perera has given workshops and master classes at the National Theatre in Weimar, Germany; Maxim’s Dance Company (Brno, Czech Republic); the National Theatre of the Czech Republic; and Duncan Dance Conservatory in Prague, Czech Republic, among many others. Currently she is working on her own projects, teaching and choreographing in Europe, the United States and Brazil.
Jeffrey Peterson is an assistant professor of dance at Muhlenberg, teaching studio coursework in jazz, modern, partnering, composition, and Laban Movement Analysis. He holds a Master of Fine Arts degree in dance from New York University’s Tisch School of the Arts, a Bachelor of Fine Arts in dance from the University of Minnesota, Twin Cities, and a certification in Laban Movement Analysis and Bartenieff Fundamentals from Integrated Movement Studies. Early performing highlights include works by Chris Aiken, Zvi Gotheiner, Bill T. Jones, José Limón, Doug Varone, and Johannes Wieland. Peterson began his professional dance career in national tours with JazzDance by Danny Buraczeski. Since then, he has performed in the work of Clare Byrne, Edisa Weeks, and Stephan Koplowitz, and with the Minnesota Opera, among others. His choreographic work, called “poetic precision” by the Minneapolis StarTribune and “moving and heart-racingly joyous” by the St. Paul Pioneer Press, has been commissioned by Dance New Amsterdam, Movement Research at Judson Church, and Rhythmically Speaking. His choreography has been seen in venues in Philadelphia, New York City, Minneapolis, Vancouver, Los Angeles, and around the Lehigh Valley. At Muhlenberg, he has choreographed for the last four “Master Choreographers,” “The Mystery of Edwin Drood” and “Chicago.” Peterson’s ongoing creative and scholarly work includes choreographic projects as well as research on the application of Laban and Bartenieff Studies to dance and life.
Trinette Singleton was a principal dancer with The Joffrey Ballet for nearly 20 years. She was thrust into national prominence in 1967, appearing in the multi-media ballet “Astarte,” created on her by her mentor, Robert Joffrey. Singleton was the first American dancer to appear on the cover of the national news magazine Time. Following her performing years, she was administrative assistant to Robert Joffrey and ballet mistress for the company from 1979 to 1984. In 1984, Singleton joined the faculty of The Joffrey Ballet School, New York City, teaching until 2004. In 2008, Trinette appeared as a guest artist in the Joffrey Ballet Company’s Tudor Centennial, in Chicago. Since 2000, she has been on the faculty of The Joffrey Texas Workshop, in San Antonio. She is prominently featured in the documentary, “The Joffrey Ballet: Mavericks of American Dance.” Singleton serves as a director on the Arpino Foundation; she is also a member of Cecchetti USA and an honorary member of Cecchetti International Classical Ballet. In 2014, she served as a judge during the Cecchetti International Classical Ballet Competition. Currently, Singleton is co-artistic director of Repertory Dance Theatre in Allentown. She is also on the faculty at Muhlenberg College and DeSales University, Center Valley. She holds her Licentiate, Imperial Society of Teachers of Dance, London, England, and her Doctor of Fine Arts, Honoris Causa, DeSales University.
Randall Anthony Smith is a current dancer with Armitage Gone! Dance (New York City), Amanda Selwyn Dance Theatre (New York City), and the Megan Flynn Dance Company (Philadelphia). He serves as a répétiteur and assistant to choreographer Donald McKayle, having performed for McKayle’s Etude Ensemble for four years. Smith earned his Master of Fine Arts degree in dance from the University of California, Irvine. He maintains a practice of performing, restaging, and interpreting McKayle’s repertory, creating his own dance works, and teaching dance nationally. In 2012, Smith performed with acclaimed ballerina and choreographer Jodie Gates in “Mein Zimmer.” Other recent performances include works by Bulareyaung Pagarlava, Shen Wei, and zoe|juniper, as well as “WOW” (2014), an experimental opera created by Joe Diebes, Christian Hawkey, and Adam Levin. Smith’s recent credits include a restaging of McKayle’s “The Fight” (from the musical “Golden Boy,” starring Sammy Davis, Jr.) for the American Dance Machine of the 21st Century (2015). Last summer Smith performed in Philip Glass’s opera “Witches of Venice,” commissioned by Opera Saratoga in Saratoga Springs, New York. On May 12, 2016, Smith received a Distinguished Alumni Award at the 46th Annual Lauds and Laurels Awards Ceremony at the University of California, Irvine.
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