There is nothing like seeing dance outdoors. Don’t get me wrong I love seeing it indoors but once in a while it’s awesome to see it out of the theater and more importantly so accessible […]
The InHale Performance Series is a community initiative, presented by Kun-Yang Lin/Dancers, to help established and emerging movement artists perform their work. Selected artists receive free performance space, technical assistance, and audience feedback. Performances include […]
Contemporary ballet company BalletX of Philadelphia closes a wildly successful season with its Summer Series 2012, featuring World Premieres by choreographers Adam Hougland and Darrell Grand Moultrie and the return of Tobin del Cuore’s popular […]
REVIEW: Philadelphia Dances (Selected works) Arts Bank, June 16, 2012 by Lewis Whittington for The Dance Journal Photos by Bill Hebert The choreographers who presented work in Philadelphia Dances at the Arts Bank, are all […]
by Lewis Whittington for the Dance Journal photo credit: Rand Rosenblatt Glances Back “We had strong interest in American modern dance and also in the culture from Miles Davis to Andy Warhol and Alvin Ailey. […]
by Steven Weisz for The Dance Journal More and more dance projects and performances in the Philadelphia region are being funded through Kickstarter. The concept is fairly simple, an artist or organization explains their project […]
photo by Bill Hebert by Kat Richter for The Dance Journal The audience may have been small for Sunday afternoon’s performance of Testimony, the latest from choreographer Tabatha Robinson-Scott and the Lehigh Valley’s Afro-contemporary dance […]
On Saturday, June 30th, 2012 at 7:30pm at Kaleidoscope Theater, Ursinus College, 601 E. Main Street, Collegeville, PA, a diverse line up of area dancers and dance companies will come together to benefit Hope Dances […]
Photo credit: Iziliaev by Lewis Whittington for The Dance Journal Interesting programming for Pennsylvania Ballet season closer with a dance sampler representing three era – Jerome Robbins New York Export: Opus Jazz (1958), Peter Matins’ […]
Photo by Bill Hebert by Kat Richter for The Dance Journal I’m always a bit skeptical of companies who do weird things with punctuation like anonymous bodies and fidget, especially when the stage is strewn […]
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