Israel’s Batsheva Dance Company makes its Philadelphia debut with Deca Dance

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Batsheva Dance Company, heralded as “one of Israel’s most treasured cultural exports” (The Columbus Dispatch), premieres Deca Dance, a full-evening compilation of eight provocative works by artistic director Ohad Naharin, for one performance only at Annenberg Center for the Performing Arts, 3680 Walnut Street, Philadelphia, PA, February 3 at 7:30pm.

Known to push the edges of expectation, 17 dancers hurl themselves into Naharin’s intrepid choreography marked by zealous rituals, intense gestures, kinetic unison sections, bold, witty and tender partnerings (at times with the unsuspected audience), and surprisingly off-balance flailing moments. Music features 15 distinct sections including J.S. Bach’s “Goldberg Variations,” a remix of “Over the Rainbow,” an Arabic pop score and dancers singing a patriotic Israeli anthem. Seattle Post-Intelligencer notes “Deca Dance is an extraordinary feast of movement. Virtually every morsel is different, and wonderful.”

This one-night only performance will take place on Tuesday, February 3 at 7:30 pm. Ticket prices are $48, $42 and $38 and may be purchased by calling the Annenberg Center Box Office at 215-898-3900 or by visiting www.pennpresents.org. Dance Celebration is presented by Dance Affiliates and Penn Presents. Its 27th season under the artistic direction of Randy Swartz salutes The Dancemaker.

Naharin notes, “Deca Dance is something I have been playing with for some time. It’s a modular piece that keeps changing. I can reconstruct my work and create something coherent from the broken pieces, that gives me, the dancers, and the audience pleasure.” The Philadelphia premiere features segments from eight works spanning 16 years including Naharin’s latest creation B/olero (2008) to Maurice Ravel’s music performed by Isao Tomito. Episodes from Max (2007), Telophaza (2006), Three (2005), Naharin’s Virus (2001), Zachacha (1998), Anaphaza (1993) and Mabul (1992) are juxtaposed into short dramas or hints of stories culminating in a visual spectacle. Naharin draws his source materials from social revolt, folk dances and everyday life in a troubled and untroubled world.

In Zachacha, dancers moving to lounge lizard music and dressed in shapeless black suits and fedoras sweep through the audience, selecting audience members to dance with them on stage. Anaphaza features 15 dancers in a semi-circle in front of chairs responding to the crashing repetitive rhythms of a Passover song. Set to Israeli Arab composer Habib Allah Jamil’s riveting soundscore, Naharin’s Virus (originally an 80-minute work based on Peter Handke’s 1966 play “Offending the Audience”), explores the intersection between art and Middle East politics as well as the role of the theater audience. Rakefet Levy designed the form-fitting white leotards and black thigh-high leggings worn by the dancers suggesting dichotomy. It took Naharin three months to choreograph Three, a three-section work titled in Latin — Bellus, (beauty), Humus (earth or soil) and Secus (which translates as this and not this). The program mentions the titles of the works but not the order in which they may appear.

Batsheva Dance Company was founded in 1964 by Martha Graham and Baroness Batsheva De Rothschild. Led by artistic director Ohad Naharin, together with house choreographer Sharon Eyal, the Tel-Aviv based company’s 65 members – dancers, technical crew and administration are driven by a common vision – to excel in art and to strengthen common human values through the power of creativity.

Naharin began his training at Batsheva. A year later, he was invited by Martha Graham to come to America and join her company. He furthered his studies at Juilliard School of Music and then joined the Maurice Bejart Company in Brussels. His works have been produced by Pittsburgh Ballet Theatre, Nederlands Dans Theater, Grand Theatre de Geneve, Frankfurt Ballet, Sydney Dance Company, Lyon Opera Ballet, Les Grands Ballets Canadiens, Cullberg Ballet, The Jewish Theater, Opera National de Paris, Bale de Cidade de Sao Paulo, Rambert Dance, Gothenburg Opera Ballet and Hubbard Street Dance Chicago.

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  1. DANCE REVIEW
    Israel’s Batsheva troupe in area debut at Annenberg

    By Nancy G. Heller
    For The Inquirer

    Bare bottoms, subtle lyricism, powerful emotions, and exquisite technique – Batsheva Dance Company displayed all this during Tuesday’s one-night stand at the Annenberg Center.

    Although it was the Israeli company’s Philadelphia debut, local dance lovers had already seen work by Ohad Naharin, Batsheva’s artistic director, as performed by Hubbard Street Dance Chicago and Philadelphia’s Koresh Dance Company. (In a neat bit of synchronicity, Roni Koresh, born and raised in Israel, began his formal study of dance with Batsheva; in April, his company will make its Israeli debut.)

    Naharin’s Deca Dance is an evening-long sampler of highlights from his earlier works. Because he segued so masterfully from one section to the next, and because Naharin’s 17 dancers were so beautifully trained, instead of a patchwork of disparate sequences the first half of the program felt like a single, gloriously varied composition.

    Read full review at
    http://www.philly.com/inquirer/magazine/39129737.html

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