A lifetime of dance and choreography. Memories of gestures and scores. A self-portrait of a 21st century artist. French choreographer Jérôme Bel (Gala, The show must go on, Cédric Andrieux) continues his renowned portrait series, this time examining himself. Through a combination of lecture, archival video excerpts, and live dance,
Noche Flamenca, formed in 1993 by Artistic Director Martín Santangelo and Soledad Barrio, marks its 30th anniversary season. After a two-year hiatus due to the
The Kimmel Cultural Campus presents The Philadelphia Dance Company, affectionately known as PHILADANCO!, in their newest show, The Continuum – Now/New/Next, in the Campus’ Perelman
Noche Flamenca, formed in 1993 by Artistic Director Martín Santangelo and Soledad Barrio, marks its 30th anniversary season. After a two-year hiatus due to the
The Kimmel Cultural Campus presents The Philadelphia Dance Company, affectionately known as PHILADANCO!, in their newest show, The Continuum – Now/New/Next, in the Campus’ Perelman
Philadelphia Ballet is pleased to announce the opening of its 2022/2023 performance season with Ben Stevenson’s Cinderella, the treasured family classic that has captivated audiences
This performance is Part Four of a series in which Bindler’s scars speak candidly about trauma and desire. Imagine Mister Rogers had a scooter accident,
The Performance Garage presents DanceVisions Artist-in-Residence yaTande Whitney V. Hunter and Jude Sandy of Denizen Arts with Alex Shaw and the Philadelphia premiere of Walk
Cognatus, presented as part of Cannonball Festival and Philadelphia Fringe Festival, is a site specific dance performance from Britt Fishel and Artists that will take
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Philadelphia-based choreographer Silvana Cardell is nearing completion for the premiere of a multimedia dance piece titled ‘Disposable Bodies’ which will have its first performance run at Taller Puertorriqueño, a co-presentation with Philadelphia Dance Projects this fall. Cardell is a 2022 recipient of a Guggenheim Fellowship Grant for her work, and
Stepping into the MAAS garden space feels like a breath of fresh air – surrounded by vines creeping along the walls and covered above by the crisp white tent, it’s like being cocooned in the sweetest envelope. It’s hard to find a performance that can complement the space so well,
The party starts informally: attendees wander unhurried onto the stage, greeting one another and chatting familiarly. A purple couch covered in protective plastic occupies a downstage corner, with a large fern peeking over its back. As they mill about the room, the party-goers’ chatting gradually shifts into movement — their
A body occupies a sloping, mossy cluster of boulders as if it were one of their own. This body, draped in the shadow cast through leaves of breeze-blown trees, is Kalila Kingsford Smith, performer and choreographer of Creature: A Movement Meditation. In her short film, Kalila occupies an elemental body,
