Pasión y Arte (PyA), Philadelphia’s premier all-female flamenco dance compa- ny, is pleased to present Excerpts: Portales-Muchos, Mundos. Taking place October 14 and 15th at 7:30pm at the Asian Arts Initiative at 1219 Vine Street, Excerpts: Portales-Muchos, Mundos, is the performance of a work in progress by PyA Artistic Director
Noche Flamenca, formed in 1993 by Artistic Director Martín Santangelo and Soledad Barrio, marks its 30th anniversary season. After a two-year hiatus due to the
The Kimmel Cultural Campus presents The Philadelphia Dance Company, affectionately known as PHILADANCO!, in their newest show, The Continuum – Now/New/Next, in the Campus’ Perelman
Echoing the invigorating Diwali event at Cherry Street Pier in November 2021, Usiloquy Dance Designs returns to the Riverwards with Philadholphia, a celebration of South
Pasión y Arte (PyA), Philadelphia’s premier all-female flamenco dance compa- ny, is pleased to present Excerpts: Portales-Muchos, Mundos. Taking place October 14 and 15th at
Noche Flamenca, formed in 1993 by Artistic Director Martín Santangelo and Soledad Barrio, marks its 30th anniversary season. After a two-year hiatus due to the
The Kimmel Cultural Campus presents The Philadelphia Dance Company, affectionately known as PHILADANCO!, in their newest show, The Continuum – Now/New/Next, in the Campus’ Perelman
Philadelphia Ballet is pleased to announce the opening of its 2022/2023 performance season with Ben Stevenson’s Cinderella, the treasured family classic that has captivated audiences
This performance is Part Four of a series in which Bindler’s scars speak candidly about trauma and desire. Imagine Mister Rogers had a scooter accident,
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French choreographer Jerome Bel and his company have been headliners on the international dance festival circuit. He returned to the 2022 Philadelphia FringeArts with a live dance memoir about his life and career. Bel had decided not to tour his productions because his mission is to leave a zero-carbon footprint
The Philadelphia Orchestra’s season opening gala on September 28 was complete with a swank cocktail & dinner party in the Kimmel Center’s Commonwealth Plaza for the tux & gown patrons mingling with casual dressers who were there just for the concert in Verizon Hall. However, dressed, this proved a fancy
Stepping into the MAAS garden space feels like a breath of fresh air – surrounded by vines creeping along the walls and covered above by the crisp white tent, it’s like being cocooned in the sweetest envelope. It’s hard to find a performance that can complement the space so well,
The party starts informally: attendees wander unhurried onto the stage, greeting one another and chatting familiarly. A purple couch covered in protective plastic occupies a downstage corner, with a large fern peeking over its back. As they mill about the room, the party-goers’ chatting gradually shifts into movement — their
A body occupies a sloping, mossy cluster of boulders as if it were one of their own. This body, draped in the shadow cast through leaves of breeze-blown trees, is Kalila Kingsford Smith, performer and choreographer of Creature: A Movement Meditation. In her short film, Kalila occupies an elemental body,
