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Internationally Renowned Classical Indian Dancer Malavika Sarukkai Makes Philadelphia Debut


Sruti, The India Music and Dance Society presents the first Philadelphia-area performance by internationally acclaimed dancer Malavika Sarukkai on April 12. The New York Times hails the “clarity of Ms. Sarukkai’s dancing, her ability to define and shape space, and especially her uncommon rhythmic precision.” A master of the traditional Indian Bharatanatyam dance style, Sarukkai commands a presence on the world stage, and her limited engagement in Philadelphia will include a week of opportunities for dancers and audiences to further their understanding of the beauty and power of the dance form. These events will take place April 6-12 in venues across the city, culminating in the performance of her seminal work, Ganga: Nitya Vaahini (The Eternal River), at the Annenberg Center for the Performing Arts. [Full schedule of events follows.]

One of India’s leading dancemakers, Sarukkai has performed in her native India and abroad for more than three decades at venues including The Kennedy Center in Washington, D.C., Lincoln Center in New York City and Jacob’s Pillow, America’s longest running international dance festival. Her artistry has been recognized with several international awards, including the Padma Shree from the President of India and the Mrinalini Sarabhai Award for Excellence in Classical Dance, and her life and work was the subject of Samarpanam, a film commissioned by the Government of India. Remarks Lisa Kraus, guest curator for the residency: “Sarukkai is an artist at that exceedingly rare level of a Baryshnikov. Her eloquence in performance goes far beyond the sum of its parts.”

As part of her weeklong residency with Sruti, Sarukkai will teach and demonstrate Bharatanatyam techniques through workshops, a lecture-demonstration, and the Philadelphia premiere of The Unseen Sequence, a “wonderful narrative” (The Hindu) of Sarukkai’s work that received excellent reviews after its initial November 2013 release in Chennai, India, and has been selected as a featured presentation for the 2014 Dance on Camera Festival at Lincoln Center. The free screening will take place at Drexel University, followed by a personal post-performance discussion with the artist. Sarukkai will also offer a general public lecture and demonstration at the South Asian Temple Hall in the Philadelphia Museum of Art, the type of space where Bharatanatyam was traditionally performed. The Wednesday evening event will be held during the museum’s “Pay What You Wish” promotional hours.

Special opportunities for dancers will include a sequence of master classes at Montgomery County Community College, demonstrating the arc of training in Bharatanatyam while providing students with a rare opportunity to work with the master artist. Additionally, a workshop for select professional dancers at the Painted Bride Art Center will explore connections and differences across dance styles, with innovative segments co-led by Sarukkai and other notable artists including Kun-Yang Lin, in an exploration of dance and devotion; Germaine Ingram, a foremost exponent of jazz tap, on rhythm and musicality; and celebrated ex-Cunningham dancer and featured performer in iconic post-modern works Valda Setterfield, who, together with Sarukkai, will consider the relationship of dance and text and the topic of “presence.” Informative blog posts, essays and other materials about the residency will be available online at www.srutimalavika.org.

The residency will culminate with the Philadelphia premiere of Sarukkai’s seminal solo work Ganga: Nitya Vaahini (The Eternal River). The piece has evolved choreographically over a decade and pays homage to the river Ganges and its importance in terms of Indian culture, history, environment and spirituality. “In each of the four dance compositions,” says Sarukkai, “I use different textures of soundscape, rhythm and dance design. The language of the songs chosen is pan-Indian, from 15th-century poet Tansen to commissioned contemporary lyrics by S.V. Seshadri and Priya Sarukkai Chabria.” Audiences journey with Sarukkai as she meets other rivers, gathering their flows within her until she surrenders her identity to the ocean. The performance will be accompanied by Nandini Sharma Narayanan’s vocals and a live orchestra of award-winning musicians playing traditional instruments: Srilatha Shamshuddin on Nattuvangam, Srilakshmi Venkataramani on violin, Balaji Azhwar on mridangam and Sai Shravanam Ramani on tabla.

Sarukkai’s one-night-only performance of Ganga: Nitya Vaahini (The Eternal River) is onstage at the Annenberg Center for the Performing Arts’ Zellerbach Theatre on Saturday, April 12, 8:00 p.m., followed by a post-performance discussion at 9:30 p.m. The Annenberg Center is located at 3680 Walnut St. in Philadelphia. Tickets range from $20-$55 and can be purchased at annenbergcenter.org/tickets or by calling 215-898-3900.


Sunday, April 6 from 9:30 a.m.—2:30 p.m.
Master Classes by Malavika Sarukkai
Montgomery County Community College
The public is invited to observe, free of charge. Participation will be by application.

Monday, April 7 at 7 p.m.
Philadelphia Premiere Screening of The Unseen Sequence
With Post-Performance Discussion by Malavika Sarukkai
Drexel University
URBN Annex, 3501 Filbert Street
Free admission

Wednesday, April 9 from 6:30—7:30 p.m.
Lecture and Demonstration by Malavika Sarukkai
Philadelphia Museum of Art, South Asia Exhibit Hall
Presented as a “Pay What You Wish” museum event

Thursday, April 10 from 10 a.m.—4 p.m.
Professional Dance Workshop by Malavika Sarukkai,
Kun-Yang Lin, Germaine Ingram and Valda Setterfield
Painted Bride Art Center
Participation will be by application.

Saturday, April 12 at 8 p.m.
Performance of Ganga: Nitya Vaahini (The Eternal River) by Malavika Sarukkai
With Post-Performance Discussion
Annenberg Center for the Performing Arts’ Zellerbach Theatre
Tickets: $20-$55

About Malavika Sarukkai
For over three decades, Malavika Sarukkai has been a hallmark dancer and choreographer in the traditional Bharatanatyam style. She performed onstage for the first time in Mumbai when she was twelve, and has been dancing ever since for diverse audiences in cities and towns all over India and throughout the world.  Venues that have presented her include Jacob’s Pillow Dance Festival (USA); Theatre du Rond-Point, Theatre de la Ville (France); Queen Elizabeth Hall (UK), International Arts Festival (Adelaide, Australia); Singapore Arts Festival; Biennale de la danse (France); Edinburgh Festival; and Smithsonian Institution Inaugural of Chola Bronzes (Washington, D.C.). A firm believer in the continuity of Indian classical tradition, Ms. Sarukkai preserves key elements of bharatanatyam while providing a personal interpretation of the dance’s cultural significance. A favorite of Indian dance critics, she inspired the phrase “innovative-within-tradition” to describe her boundary-pushing dances. Malavika’s artistry was featured in the BBC/WNET television documentary Dancing, a nine hour series on world dance and the film Samarpanam, specially commissioned by the Government of India, has been made on her life and work. She has been honored with numerous Indian awards including the Padma Shree from the President of India, the Kalaimamani from the State Government, the Mrinalini Sarabhai Award for Excellence in Classical Dance, the Nrityachoodamani from Sri Krishna Gana Sabha, Sanskriti award, the Haridas Sammelan award and the SNA Award by Central Sangeet Natak Akademi, Delhi.

- Steven Weisz

Founder & Editor
While not a dancer himself, Weisz’s love for the arts and dance started as a child growing up in New York City. With parents, who were strong supporters of the arts and part of a community with an incredible array of notable artists in music, dance, theater and fine arts, Weisz’s access and affinity for the performing arts took root. Upon attending college in Philadelphia at the University of Pennsylvania in the mid 70’s, Weisz started performing as a puppeteer, magician, juggler and fire eater as a means of supplementing his income. This soon grew in to what became Rainbow Promotions Inc., one of the largest entertainment and special events producers in the region. It was here that he began to promote and book dance for major events throughout the city. Many of the dancers he worked with in the early days of his company are now major choreographers in Philadelphia. At the same time, Weisz’s interest in computers and the early developments of what is now known as the Internet, led him to also start another company, Delaware Valley On Line, which became one of the first regional ISPs. It was this combination of event production, internet development and event marketing that led him to examine the use of the internet as a means to promote the arts. Dance continued to be a major interest for Weisz and in 2005 he founded PhiladelphiaDANCE.org as a major online resource to promote dance in the city. It was soon after that the Dance Journal was also founded as a way to provide an outlet for writing on a range of topics that encompass the ever growing and emerging dance community in the region. Weisz continues to run both PhiladelphiaDANCE and The Dance Journal on purely a voluntary basis with no income derived from any of his projects. He is also the Artistic Director of Graffito Works, a unique platform for dancers and performing artists to create site-specific work and to make it readily accessible to the public.

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