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Pennsylvania Ballet Announces 2014-15 Season

Pennsylvania Ballet Artistic Director Roy Kaiser announces the Company’s powerful 2014-15 Season – highlighting some of the most celebrated choreographers and composers of all time.

The 51st Season will feature the Company premieres of Beethoven: Symphony No. 9  from former Artistic Director Robert Weiss, In G Major by Jerome Robbins, The Second Detail by William Forsythe, and O zlozony / O composite by dance pioneer Trisha Brown, the first work of hers to enter the repertoire. Also, the Company has commissioned World Premieres from Nicolo Fonte and Choreographer in Residence Matthew Neenan, and audience favorites like Christopher Wheeldon’s Swan Lake will make a triumphant return.

“Our 51st Season features some of the most ambitious work the Company has ever presented,” Artistic Director Roy Kaiser says. “These performances are sure to move you.”

Before the 2014-15 Season begins in Philadelphia, Pennsylvania Ballet debuts at the Vail International Dance Festival in Colorado. The Company will perform George Balanchine’s Rubies from Jewels on Opening Night of the festival, July 27, as well as an all-Balanchine evening on July 28 (Serenade, Tarantella, and Stravinsky Violin Concerto), and a unique benefit “UpClose” on July 30, a rehearsal-style program hosted by Festival Director Damian Woetzel and featuring selections from Balanchine’s Jewels.

Pennsylvania Ballet’s 2014-15 Season

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Pennsylvania Ballet Principal Dancers Lauren Fadeley and
Jermel Johnson in Alexei Ratmansky’s Jeu de Cartes
Photo: Alexander Iziliaev

Beethoven: Symphony No. 9
October 16-26, 2014
Academy of Music

  • Beethoven: Symphony No. 9 by Robert Weiss, music by Ludwig van Beethoven [Company Premiere]
  • Jeu de Cartes by Alexei Ratmansky, music by Igor Stravinsky

Epic music propels the opening program of Pennsylvania Ballet’s 51st Season. Former Artistic Director Robert Weiss crafts a powerfully pure ballet with Beethoven: Symphony No. 9, a Company premiere. The famous score, featuring a live chorus, culminates with the inspirational “Ode to Joy.” Presented for the first time outside Russia by Pennsylvania Ballet, Jeu de Cartes creates a bold, abstract expression of Stravinsky’s score of the same name. The French title translates to “The Card Game,” which for Alexei Ratmansky – one of the world’s most sought-after choreographers – simply addresses the “gamble” of choreographing to Stravinsky’s musical complexities.

 

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Artists of Pennsylvania Ballet in George Balanchine’s The Nutcracker™,
choreography by George Balanchine © The George Balanchine Trust
Photo: Alexander Iziliaev

George Balanchine’s The Nutcracker™
Supported by First Niagara
December 6-31, 2014
Academy of Music
Choreography: George Balanchine
Music: Peter Ilyitch Tschaikovsky

Escape to the Land of Sweets for the Philadelphia region’s most beloved holiday tradition, George Balanchine’s The Nutcrackerä. For 46 years, families have created yuletide memories with Pennsylvania Ballet’s production of this classic tale. The simple story of a girl, a gift, and a fanciful dream is made magical by opulent sets and costumes, the charm of The School of Pennsylvania Ballet students, and the impassioned artistry of Pennsylvania Ballet dancers. The celebrated Philadelphia Boys Choir raises their voices with the magnificent Pennsylvania Ballet Orchestra to bring Tschaikovsky’s unforgettable score to life.

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Former Pennsylvania Ballet Soloist Philip Colucci in Prodigal Son,
choreography by George Balanchine © The George Balanchine Trust
Photo: Alexander Iziliaev

Prodigal Son
February 5-8, 2015
Merriam Theater

  • Prodigal Son by George Balanchine, music by Sergei Prokofiev
  • Polyphonia by Christopher Wheeldon, music by György Ligeti
  • WORLD PREMIERE by Matthew Neenan

Witness a moving masterpiece in George Balanchine’s Prodigal Son. Set to an original score by Sergei Prokofiev, Prodigal Son tells the well-known biblical story through touching dramatic scenes and soaring acrobatic movement. Striking and stripped-down, Christopher Wheeldon’s Polyphonia experiments with traditional ballet, resulting in inventive steps and duets. With an adventurous choice in composer György Ligeti, Polyphonia helped solidify Wheeldon’s place in ballet history. Heralded by The New York Times as “one of today’s foremost dance poets,” Choreographer in Residence Matthew Neenan conceives his 16th World Premiere for the Company to round out this eclectic program.

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Pennsylvania Ballet Principal Dancers Lauren Fadeley and
Zachary Hench in Christopher Wheeldon’s Swan Lake
Photo: Alexander Iziliaev

Swan Lake
March 5-15, 2015
Academy of Music
Choreography: Christopher Wheeldon (after Marius Petipa and Lev Ivanov)
Music: Peter Ilyitch Tschaikovsky

Behold Pennsylvania Ballet’s own stunning version of the world’s most renowned ballet. Premiered in 2004 to national acclaim, Christopher Wheeldon’s stellar production of Swan Lake was commissioned and performed to sold-out audiences for the Company’s 40th Anniversary Season, followed by sold-out performances at Edinburgh International Festival. Wheeldon’s Swan Lake is based on the original Ivanov/Petipa classic and set to the timeless Tschaikovsky score but has been re-imagined for today’s audiences. The million-dollar production features spectacular costumes and sets inspired by Edgar Degas. Brilliant choreography and searing moments of drama illuminate ballet’s greatest love story.

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Artists of Pennsylvania Ballet in Jerome Robbins’ The Concert
Photo: Alexander Iziliaev

A Tribute to Jerome Robbins
May 7-10, 2015
Academy of Music

  • In G Major by Jerome Robbins, music by Maurice Ravel [Company Premiere]
  • The Concert by Jerome Robbins, music by Frederic Chopin
  • Fancy Free by Jerome Robbins, music by Leonard Bernstein

Celebrate the versatility and genius of choreographer Jerome Robbins.  World famous for his work on Broadway blockbusters like The King and I and West Side Story, Robbins created superb ballets with the same panache and flair. Two hilarious works anchor this program: Fancy Free, which follows the escapades of three World War II sailors on leave in New York City, and The Concert, observing the outlandish antics and straying thoughts of an audience gathered for a piano recital. Whimsical and serene, the Company premiere of In G Major features aquatic-inspired sets and costumes and an exquisite central pas de deux, set to Ravel’s monumental Piano Concerto in G Major.

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Principal Dancer Lauren Fadeley
Photo: Alexander Iziliaev

Brown, Fonte, & Forsythe
June 11-14, 2015
Merriam Theater

  • O zlozony / O composite by Trisha Brown, music by Laurie Anderson [Company Premiere]
  • WORLD PREMIERE by Nicolo Fonte
  • The Second Detail by William Forsythe, music by Thom Willems [Company Premiere]

Break new ground with a contemporary program of work never before seen on the Pennsylvania Ballet stage.  The Company premiere of Trisha Brown’s O zlozony / O composite marks the first piece to enter the repertoire by this dance pioneer. Originally created for three Paris Opera Ballet dancers, the work – which gets its title from a Polish poem – fuses classical and modern dance plus spoken word for a truly unique performance experience. Also a Company premiere, The Second Detail is quintessential William Forsythe: full of attitude, a pulsating electronic score, and vigorous, unexpected movement. Choreographer Nicolo Fonte creates a World Premiere to complete this electrifying program.

2014-15 Season ticket packages are on sale now at 215.893.1955 and at paballet.org.

- Steven Weisz

Founder & Editor
While not a dancer himself, Weisz’s love for the arts and dance started as a child growing up in New York City. With parents, who were strong supporters of the arts and part of a community with an incredible array of notable artists in music, dance, theater and fine arts, Weisz’s access and affinity for the performing arts took root. Upon attending college in Philadelphia at the University of Pennsylvania in the mid 70’s, Weisz started performing as a puppeteer, magician, juggler and fire eater as a means of supplementing his income. This soon grew in to what became Rainbow Promotions Inc., one of the largest entertainment and special events producers in the region. It was here that he began to promote and book dance for major events throughout the city. Many of the dancers he worked with in the early days of his company are now major choreographers in Philadelphia. At the same time, Weisz’s interest in computers and the early developments of what is now known as the Internet, led him to also start another company, Delaware Valley On Line, which became one of the first regional ISPs. It was this combination of event production, internet development and event marketing that led him to examine the use of the internet as a means to promote the arts. Dance continued to be a major interest for Weisz and in 2005 he founded PhiladelphiaDANCE.org as a major online resource to promote dance in the city. It was soon after that the Dance Journal was also founded as a way to provide an outlet for writing on a range of topics that encompass the ever growing and emerging dance community in the region. Weisz continues to run both PhiladelphiaDANCE and The Dance Journal on purely a voluntary basis with no income derived from any of his projects. He is also the Artistic Director of Graffito Works, a unique platform for dancers and performing artists to create site-specific work and to make it readily accessible to the public.

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