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EDITORIAL: A case for civic responsibility – Is it time for an arts tax?


by Steven Weisz for The Dance Journal

Arts funding is constantly under fire, the National Endowment for The Arts is constantly facing cut backs and even the threat of dissolution.  Grants and foundations that support the arts have drastically cut back or scaled down their involvement. Corporate and private donors are also feeling the pinch with the varying economic factors. Arts education in the schools has suffered equally if not more so with program cutbacks and even elimination.

So is there a better model for funding the arts at the local/city level? What if arts funding was put at the forefront of civic responsibility?

In Brazil, the government recently implemented a $25 a month stipend for workers to pay for cultural expenses such as books, movies, and art museum tickets through a designated card. The new policy was a way to provide access to culture for all Brazilians, regardless of socioeconomic factors. Ninety percent of the stipend is covered by employers, who will be able to deduct the amount from their income taxes. Workers pay the remaining 10 percent out of their own paychecks but can opt out if they prefer. The benefit can go to workers earning as much as five times the minimum wage, but it’s up to employers to choose the benchmarks. The new stipend is good for those who consume culture but also benefits cultural creators as well. It was estimated by the Brazilian government that approximately$3.5 billion in revenue would be added into the cultural sector. Similar to how a tax credit or refund might bolster household spending, the country views its new policy as giving cultural enterprises new energy.

Recently and more local, in Portland, Oregon, an annual income, arts tax of $35 was passed. Funds collected would goes directly to supporting local arts organizations. The tax brings in an estimated $12.2 million a year from 350,000 people. Money has been applied to the Portland elementary schools to hire “certified arts or music education teachers” and the Regional Arts & Culture Council, which supports non-profit Portland arts organizations. The arts tax applies to everyone equally, unless you have no income or are below the established poverty lines.


I would suggest that in Philadelphia the ideal scenario might be a hybrid of the two current models.  For any arts funding initiative to succeed in this town, it would require that we value the creative process as an inherit part of the overall Philadelphia culture.  According to the July 2011 US Census Bureau, the population of Philadelphia was 1,536,471. With just a $25 annual arts tax, this would infuse almost $38 million in revenue to fund arts education and local arts projects.  This alone would make a difference to the creative economy. Yes, I can hear the opponents cry about another tax, but seriously, $25 a year will not pose any undue hardship in the scheme of things.

But such funding alone will lose value, if more Philadelphians are not exposed to the arts or have equal access to the arts.  So providing a monthly arts stipend to workers in exchange for a tax deduction might also have some merit. Perhaps, this could be an opt-in system for employers or restricted to businesses with a certain level of annual profit. And while many companies do support the arts, this would also increase the civic responsibility and community involvement for many of our areas businesses. For employees this would not only make the arts more accessible to many, but also provide an incentive to attend new arts programs and explore the cultural offerings that make Philadelphia what it is. At the heart of such a program is our willingness to embrace that which makes this city so unique – our theater, music, dance, art and cultural heritage.

- Steven Weisz

Founder & Editor
While not a dancer himself, Weisz’s love for the arts and dance started as a child growing up in New York City. With parents, who were strong supporters of the arts and part of a community with an incredible array of notable artists in music, dance, theater and fine arts, Weisz’s access and affinity for the performing arts took root. Upon attending college in Philadelphia at the University of Pennsylvania in the mid 70’s, Weisz started performing as a puppeteer, magician, juggler and fire eater as a means of supplementing his income. This soon grew in to what became Rainbow Promotions Inc., one of the largest entertainment and special events producers in the region. It was here that he began to promote and book dance for major events throughout the city. Many of the dancers he worked with in the early days of his company are now major choreographers in Philadelphia. At the same time, Weisz’s interest in computers and the early developments of what is now known as the Internet, led him to also start another company, Delaware Valley On Line, which became one of the first regional ISPs. It was this combination of event production, internet development and event marketing that led him to examine the use of the internet as a means to promote the arts. Dance continued to be a major interest for Weisz and in 2005 he founded PhiladelphiaDANCE.org as a major online resource to promote dance in the city. It was soon after that the Dance Journal was also founded as a way to provide an outlet for writing on a range of topics that encompass the ever growing and emerging dance community in the region. Weisz continues to run both PhiladelphiaDANCE and The Dance Journal on purely a voluntary basis with no income derived from any of his projects. He is also the Artistic Director of Graffito Works, a unique platform for dancers and performing artists to create site-specific work and to make it readily accessible to the public.

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