PDP presents WOLF-IN-SKINS: A Dance Opera Choreography by Christopher Williams with music by Gregory Spears
Philadelphia Dance Projects as part of their 2013 Dance Up Close series will be presenting WOLF-IN-SKINS a premiere with extracted scenes from a new Dance Opera choreographed by CHRISTOPHER WILLIAMS and with music by GREGORY SPEARS.
Co-produced in collaboration with American Opera Projects and the Conwell Dance Theater of Temple University’s Boyer College of Music & Dance, ”Wolf-in-Skins” an epic “dance-opera by choreographer/puppeteer/dancerChristopher Williams and composer Gregory Spears is inspired by ancient themes of the “mythic hero’s journey” found in the faerie legends, folklore, and earliest literature of the Insular Celtic cultures.
The work’s dream-like libretto, written by Williams, bears witness to the initiation rites of a central hero character grappling with queer identity via bouts with supernatural agency, otherworldly passage, and transformation. Driven by detailed choreographic, musical, visual, and poetic sequences supported by supertitles, the work interweaves dance, music, and visual design to define a ritualistic arena in which lost mythology may be re-imagined and embodied via contemporary performance.
Singers performing in a quasi-archaic English represent the work’s human characters on stage, whereas its “fay” characters, supernatural beings populating an antipodal netherworld, are embodied by dancers whose voices are produced by shadow figures singing in Welsh.
The complete work strives to dovetail the traditional performance genres of opera, dance, and theater to forge new territory as a unique performance hybrid – a 21st century magnum opus commingling the spirits of Wagnerian Gesamtkunstwerk and Diaghilev’s Ballets Russes.
Four complete scenes from the work along with a extracted scenes in-progress will be presented from January 25th-26th, 2013 at the Conwell Theater via Philadelphia Dance Projects and American Opera Projects. Costume Design is by Andrew Jordan, Ciera Wells, Christopher Williams, and Carol Binion, Lighting Design by Joe Levasseur and Set Design is by Tom Lee and Michael Wang.
Christopher Williams calls himself “a curious alchemist.” This new work, too, builds on an amalgam of forms visual art, theater, puppetry, and live music that link with contemporary dance rather than eclipse it. This is an admixture with which Williams has become facile, yet remains ingenious, stimulated by symbiotic work with his creative collaborators and his extensive research in early literature. An interesting element of Williams’ work is the way in which it finds affinities between certain obscure historical sensibilities and a contemporary “downtown” experimental aesthetic. In Williams’ world history, obscure texts, and pageantry always share a place of possibility and danger. He makes ancient themes seem avant-garde and relevant to contemporary culture.
Wolf In Skins
Conwell Dance Theater, Broad Street & Montgomery Avenue, Philadelphia, PA
Friday, January 25, 2013 – 7:30pm
Saturday, January 26, 2013 – 2:30pm
Saturday, January 26, 2013 – 7:30pm
Ticket on Dance Box Office, click here
- The Cost of Self-Producing in FringeArts - August 18, 2015
- 9 Dance Films Coming To The Bryn Mawr Film Institute That Are Not To Be Missed - August 15, 2015
- FringeArts announces dance curated programming for 2015 Fringe Festival - July 9, 2015
- Review of Mamela Nyamza’s The Meal - April 23, 2015
- Pennsylvania Ballet Presents a Tribute to West Side Story Choreographer, Jerome Robbins - April 7, 2015